Performance Times Nightly at 7:30 pm on February 13-17 and February 19-23, 2019 Matinee at 2:00 pm on Saturday, February 23, 2019
100 minutes, 2 /3 actors.
CREATIVE ENSEMBLE Elena Eli Belyea - Playwright Christine Brubaker – Director Alexandra Dawkins - Performer (Jordan, F) Chantelle Han - Performer (Aiden) Joel David Taylor - Performer (Jordan, M) Graham Frampton – Lighting Designer Thomas Geddes – Sound Designer Anton deGroot - Set Designer Jordan Wieben - Costume Designer Aldona Barutowicz - Publicist Andrea Donaldson - Script Dramaturg Ivanna Ihekwoaba – University of Calgary Theatre Intern Jessie Paynter – Production Manager Katherine Penhale - Production Assistant Jenna Rodgers – Production Dramaturg Carissa Sams - Stage Manager Meags Fitzgerald - Poster Design
Jordan, Aiden's ex, shows up at Aiden's apartment to confront her about the allegation that Jordan sexually assaulted her two years ago. The smoke is thick and the town is burning. What will it take to put it out?
Split Casting Half of the evening performances feature the characters of Aiden (played by Chantelle Han) and Jordan (played by Alex Dawkins) as two women. The other half, feature the character of Aiden as a woman (played by Chantelle Han) and the character of Jordan (played by Joel David Taylor) as a man. Downstage celebrates the wide range of gender identities across the gender spectrum, that exist beyond the binary of “men” and “women".
Find the Theatre The Big Secret Theatre is on the second floor of Arts Commons in downtown Calgary, opposite Olympic Plaza at 225 8 Avenue SE. Check out our Motel pagefor directions to Arts Commons including travelling by transit and by car.
Development History Smoke was developed as part of Nightwood Theatre's Write From The Hip script development program as well as Caravan Farm Theatre's National Playwrights Retreat. The actors who appeared in the 2017 WFTH workshop reading were Diana Luong and Jesse LaVercombe.
Written by Elena Belyea Dramaturgy by Emma Tibaldo Workshop Directed by Andrea Donaldson as part of the National Theatre School’s 2015 New Words Festival Workshop Performed by Thomas Mitchell Barnet, Cynthia Hicks, Emma Laishram, Dustin Luck, Diana Luong and Erik Mrakovcic Poster by Meags Fitzgerald Photos by Maxime Côté
Developed as part of the 2015 MFA Playwrights’ Workshop presented by the National New Play Network and Kennedy Centre in Washington, DC. Winner of the 2015 Wildfire National Playwriting Competition. Semi-finalist for the 2015 NNPN New Play Showcase. Shortlisted for the 2016 APN 50th Anniversary Alberta Playwriting Competition.
For 17-year old intersex Aaron, the new school year means a new chance at life. For Pina, another shot at head cheerleader. For Mark, open season. A stranger intersects with a family in exile from itself. Parents Paul and Carol struggle to keep secrets from their children, desperate to know the truth. Like a surgeon’s knife before a first incision, the scalpel is poised and ready to slice.
MISS KATELYN'S GRADE THREES PREPARE FOR THE INEVITABLE
60 minutes, 1 actor.
CREATIVE TEAM FOR TINY BEAR JAWS' 2018 PRODUCTION Written and performed by Elena Belyea Directed by Emma Tibaldo Stage Management and Sound Design by Tori Morrison Production Design by Alison Yanota Poster design: Meags Fitzgerald
CREATIVE TEAM FOR TINY BEAR JAWS' 2015/2016 PRODUCTION Written and performed by Elena Belyea First Production Dramaturgy by Jon Lachlan Stewart and Iris Turcott Original Production Directed by Jon Lachlan Stewart Production History: Presented at the 2015 Montreal and Edmonton Fringe Festivals as well as the 2016 Centaur Theatre’s Wildside Festival and Workshop West’s Chinook Series. Poster design: Meags Fitzgerald
"You see, boys and girls... bad things happen to good people all the time. So, it’s our job to make sure we’re as prepared as possible for the innumerable threats that can and will come our way. And not just prepared prepared. Miss Katelyn prepared."
Montreal, Columbine, Newtown, Orlando. Welcome to class 3B at Saint Joseph's Elementary School. Your teacher, Miss Katelyn, knows the world is a dangerous place and her life-saving lesson is about to begin.
Winner of Best Production and Best New English Text at the 2015 Montreal Fringe Festival and nominated for a 2016 Sterling Award for Best New Fringe Play, Miss Katelyn's Grade Threes Prepare for the Inevitable is a comedic drama about one woman's desperate attempt to keep her students out of harm's way. Not everything is as it seems in this breakneck investigation of panic, prevention, and paranoia in a post-truth world.
Selected Press " ☆ ☆ ☆ ☆ ☆ -- On the last day of school, Miss Katelyn (Elena Belyea) decides to teach Class 3B (the audience) about safety. After attendance is called, our jittery, impassioned teacher launches into today’s lesson: how to survive a school shooting. ... Unlike so many other dark comedies at the Fringe, this show earns its transformation from laughs to tears as it sinks its teeth into weighty subject matter. ... An A+ show!" - Vue Weekly (Full article here).
"Finally, there’s Miss Katelyn’s Grade Threes Prepare for the Inevitable, an initially amusing, finally genuinely disturbing take on the phenomenon of school shootings. The first two rows of the audience are assigned class name tags and solicitously advised by teacher Miss Katelyn (played by the show’s creator, Elena Belyea) on the best ways to outwit a rampaging gunman. Not surprisingly, Miss Katelyn turns out to be a powder keg of neuroses herself, and we, her little charges, gradually realize where the real danger lies ... There’s no denying this show’s sincerity or gut-wrenching power.” - Montreal Gazette (Full article here).
"Playwright and performer Elena Belyea manages to poke fun at the darkest of subjects, providing a general meditation on surviving the inevitable, whether it’s a shooting or whatever life brings you.” - Cult Montreal (Full article here).
“Miss Katelyn’s Grade Threes Prepare for the Inevitable is one of the most engaging plays I’ve seen. ... You can’t help but buy into this world that Elena has created and active engagement of the audience is one of the most interesting parts of the show.” - After The Houselights (Full article here).
EVERYONE WE KNOW WILL BE THERE: A HOUSE PARTY IN ONE ACT
70 minutes, 5 actors. Site-specific.
Writtenby Elena Belyea Dramaturgy by Dean Patrick Fleming, Sarah Elkashef, and Emma Tibaldo Directed by Andrew Ritchie Main Acting Company: Diego A. Stredel, Eva Foote, Ashleigh Hicks, Jacob Holloway (Workshop production 2016), Roland Piers, Gabriel Richardson Poster design by: Elena Belyea Photo credit: Mat Simpson
Developed with support from Playwrights Workshop Montreal. Workshop Production June 2016. Premiere upcoming June 2017.
Keg stands, Sour Puss, Snapchat and Yukaflux. Brad’s parents are out of town for the weekend, which means only one thing — the most orgiastic, booze-filled rager this school has ever seen. Everyone we know will be there, plus a few nobodies. A deafening investigation of teenage sex, identity, consent, and the warm, wet lessons we can only learn in the dark.
Selected Press “You can only imagine how complicated this kind of spontaneous chaos, at the intersection of the individual and the group, is to synchronize. The natural rhythms of start and stop, and the scrambly, brusing escalation of tension fuelled by booze, happen at Brad’s place: stories within stories. Kudos to Belyea, Ritchie and stage/production manager Tori Morrison, all founders of Edmonton’s Found Festival, for figuring out the smaller personal arcs within a larger arc of a “play.”” – Liz Nicholls (Full article here).
"For the Children:Everyone We Know Will Be There is a truly immersive play that takes place in a suburban house. The youth-oriented piece was inspired by playwright Elena Belyea’s time at the National Theatre School. “I was feeling a bit challenged because I feel like a lot of theatre written for young people can be preachy or very lesson-based,” she says. “I started trying to write the play that I wished I could have given myself when I was young.”" - Josiah Hughes, Swerve (Full article here).
MADAME CATHERINE PRÉPARE SA CLASSE DE TROISIÈME À L’IRRÉMÉDIABLE
D'Elena Belyea Traduction: Olivier Sylvestre Mise en scéne: Jon Lachlan Stewart Avec Alice Pascual Scénographie: Cédric Lord Éclairages: Audrey-Anne Bouchard De Surreal Soreal + Théatre Prospero MARS 27 - 14 AVRIL, 2018
Bienvenue dans la classe de madame Catherine. Votre professeure de troisième année sait que le monde dans lequel vivent ses élèves est irrémédiablement violent et dangereux. C’est pourquoi, en cette dernière journée d’école, elle vous a préparé une leçon d’une importance capitale. Votre survie en dépend… mais les choses ne se passent pas tout à fait comme prévu.
Dans cette nouvelle mise en scène de Jon Lachlan Stewart (Big Shot, Salle intime, Prospero 2017), madame Catherine vous plonge dans sa propre paranoïa, passant du profilage racial à l’obsession sécuritaire, avec en arrière-plan, la crainte viscérale d’une tuerie de masse, et le besoin de s’en prémunir par tous les moyens. Mais derrière toute paranoïa se cache une indicible vérité.
Madame Catherine prépare sa classe de troisième à l’irrémédiable est une comédie noire d’une inquiétante étrangeté sur un monde en dérive, un monologue abordant notre rapport aux armes à feu, où le tragique nous guette et plane au-dessus de la tête de tous les petits adultes en devenir.
Written by Elena Belyea Dramaturgy by Brian Drader Produced by Tiny Bear Jaws as part of the 2014 Common Ground Arts Society's Found Festival Directed by Lianna Makuch Performed by Elena Belyea Photos by Michael Kuby
Tonight's the night and Cutie desperately needs your help getting ready for her big date. There's a lonesome man on the loose: pining, pitiful, and searching for love. Cutie knows once he finds her, his hunt will be over. An acidic, site-specific exploration of the "Good Victim" gone wrong.
60 minutes, 4 actors.
Written by Elena Belyea Dramaturgy by Iris Turcott
Developped as part of the ‘14 Banff Playwrights Lab.
Fetch: (vb.) To go after and bring back. (n) A living person’s spectral double, appearing to friends or relatives, usually as an omen for the figure’s impending death. For Alice, raising her 11-year-old granddaughter Tegan is no easy task. Tegan has been having the most wonderful dreams, inhabited by an unknown presence. Now, she must go on a journey back to the beginning, to a lie Alice told years ago, to discover the truth about her origins and the whereabouts of her not-so-dead father, Will, who has been having strange dreams of his own. A collision of longing, loss and love.